People may choose to go to see the bright lights of Hollywood
for a holiday, where they want to learn and see all things about the movies,
however maybe Hollywood isn’t the place to go any more…
Hollywood has always been considered to be the number one
export place for movies all around the world for a long time. However the Asian
community is slowly taking over and becoming part of the phenomenon. Since the 1990s there were more Asians working in Hollywood, most of them
coming for directing roles and martial art choreography (Christina 2004 p364) These
people have created a new pathway to the film industry. For example, more films
in the action, thriller genre are seen to have martial art fight sequences,
like Kill Bill (2003), the Avengers
(2012) and majority of any new films that have fighting. Also the Asian
actor/ martial artrist Jacki Chan has provided a new forum for Asian actors to
be popular in films. Chan has done an Asian film in Hollywood as a cross over
with great success. He had many high grossing movies, with Rush Hour (1998)
getting multiple sequels.
Consequently these films have been
having success in the Asian film Market. For example, movies like Avatar and
Transformers are getting a greater gross from the Asian (Tsui, 2013). I believe
this is due to the Asian culture having the ability to relate to the content
and context that is being provided in films today. This is due to international flow.
This is the ‘movement of messages of national boundaries that also mark the
crossover to two or more cultures (Wasser, Frederick 1995 p425). As a result the Asian message is
being filter through films due the higher increase of Asian people working in
the film industry. As such the Asian culture have more to relate to, in these
films and I believe this is why they are having more success in the Asian
countries compared to America. This idea is similar to Stuart Hall who believes
in localization. Which leads to the proliferation of difference
in two distinct ways. First, through global capitalism’s strategy of working
through the local by absorbing, penetrating and negotiating with it without
entirely destroying its unique particularities. Secondly, through local
cultures’ ability to reinvigorate themselves as refuges from and alternatives
to global capitalism’s homogenizing tendencies, in part by appropriating
innovations generated by the global that enable them to speak their locality
more effectively (Hall, 1997 cited in Klein, Christina 2004 p362) .
I believe that this will just continue to increase over the
years. This is because as soon as people find out what sells they will continue
to make films using that technique. Everyone in the world is money orientated
and they just want to do what will sell. As such at the moment marital arts and
Asian directors in films are very popular and they will continue using them
until they find something else. As a result this will require more Asian people
being involved in films.
Reference List:
Klein, Christina 2004, ‘Martial arts and
globalisation of US and Asian film industries’, Comparative America Studies,
vol. 2, no. 3, pp. 360-384.
Wasser, Frederick 1995,
‘Is Hollywood America? The Trans-nationalization of the American Film Industry’
Critical Studies in Mass Communication. Vol 12. Pp423-437.
Tsui, C. 2013. Untitled. [online] Available at: http://www.vantageshanghai.com/perspectives/2013/04/china-box-office-10-highest-grossing-movies-of-all-time.html [Accessed: 25 Sep 2013].


